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Click
on an image or title to visit each gallery. |
R o b i n A n n W a l k e r visual
artist |
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Mercury A series of 15 paintings for the popular Dallas restaurant. |
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Corners Series
Inspired by some family health problems these paintings examine the surprises that may await around the corner. |
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Pathways Series |
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Storms Series
Inspired by the 2005 hurricane season, these images are
highly textured and neutral colors. New images added May 2006. |
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Grid
Series
Geometric patterns broken by random paint splashes and
realistic painted elements. |
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Waverly |
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The Knots Series
Inspired by the construction of a major freeway
interchange in Dallas, TX |
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The Divisions Series
Highly textured, these paintings are based
on the peeling plaster that is so common in Europe. I saw a lot of this on
my trip to
Bulgaria.
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The Nuvo Series
This series is based on
symbols, designs, and colors of the retro 1950's. |
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The Freehand Series
A series based on a
favorite shape (freehand circle) and the bold colors of red, black and
white. |
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The
Shadow series
These monotone
abstracts have a geometric composition. They are based on urban
landscapes, a dark corner, or a shadowy point of view. |
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The
Colorblock series
These color-field
abstracts developed from the Glorieta series. If the Glorietas
are landscapes, then these colorblocks are an exploration of
the underbelly of a leaf, a streambed, or a flower petal. |
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The Fishing Series
Inspired by a trip to the Texas State
Fair. These are whimsical fun pieces. |
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Genuity Series
A new series created
for the Genuity Corporation, Dallas, TX |
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The
Red Circles Series Loosely based on geology and layers of earth, sediment
and water, these images explore the over and under of things
and how the presence of beings float on top. |
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The
Glorieta Series
Named for the area of New Mexico that inspired
these paintings, the palette is hot and reminiscent of the saturated
colors of the Southwest. |
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The
Carnival Series Another
series of lighthearted colorful works, highly textured acrylic
on paper, 22 x 30 |
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ABSTRACT ART EXPLAINED: Non-objective abstract art
is unknowable. This is why we are tempted to look for objects
in paintings where there aren't any. For this reason it is more
of a challenge to create an abstract painting that has meaning.
All the elements of good representational art should be present,
namely color, form, composition, perspective, etc. It can be
compared to abstract music (music where a melody cannot be discerned).
Not identifying a melody in music is like not seeing any recognizable
objects in non-objective art. (Hal Fielding)
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